Dara Horn

Many cities do a One City One Book event where they try to get as many people as possible to read a selected book, plan lots of events, and bring the author in for readings. Philadelphia, where I live, does it, but we also have a Jewish One Book program. The books featured in this program have included two memoirs, The Man in the White Sharkskin Suit by Lucette Lugnado and My Father’s Paradise by Ariel Sabar, and this past year a novel by Dara Horn called All Other Nights.

All Other Nights is a story that takes place during the Civil War and explores some of the Jewish war experience. I had heard good things about Horn but never read her, so I looked forward to reading this book. Before I had a chance to read the book, I went to hear the author talk. She has a very impressive resume. Here’s just a bit from her bio:

Dara Horn received her Ph.D. in comparative literature from Harvard University in 2006, studying Hebrew and Yiddish. In 2007 Dara Horn was chosen by Granta magazine as one of the Best Young American Novelists. Her first novel, In the Image, published by W.W. Norton when she was 25, received a 2003 National Jewish Book Award, the 2002 Edward Lewis Wallant Award, and the 2003 Reform Judaism Fiction Prize. (this is from her website, www.darahorn.com)

The talk she gave was terrific. It was a very thoughtful, complex presentation – you could tell she had spent a lot of time preparing her remarks, and I appreciated that. I see a lot of author presentations and readings. Recently I went to a writers conference where the keynote speaker just kind of played it by ear. She had a few notes of things she wanted to touch on, but she just kind of casually chatted about her writing life in a way that sounded to me like she’d discussed the same thing over and over at other workshops. I didn’t feel like she had done any special presentation for this particular conference. I really appreciated that Dara Horn seemed to think we were an important audience, an audience worth working for!

One of the things she discussed that stayed with me most had to do with why she chose to set her novel during the Civil War. She said that when an author writes an historical book, they’re not necessarily writing about that period in history, but instead using that historical period to comment on contemporary life. She felt the Civil War was very fitting to discuss America today (red states, blue states, lots of partisanship…). I thought it was really interesting to look at historical fiction this way.

I finally got around to reading the book recently. The history is interesting, and I learned more about the Civil War and something about Jewish life at that time, but as a whole the story was a bit of a romance, with a bit of the overwrought language of the genre. (Many writers have certain word or sentence quirks, I find. I read a book recently where characters were always wincing. Someone or other winced on practically every page! I started to notice this because it’s a strangely-spelled word and doesn't look like it would be pronounced the way it's spelled, and then before I knew it I was just looking for the winces and not the actual plot. This book had its heroine “brushing another loose curl back behind her ear.” It drove me crazy. I thought: if that chick brushes a curl behind her ear one more time I’m going to recommend getting her a haircut! And then sure enough, she’d do it again!)

I decided not to give up on the author, however, and now I’m reading the book everyone says is her best one, The World to Come. So far, so good. Much better than All Other Nights. This is writing you can admire, interesting sentences, unexpected plot turns. None of the above in All Other Nights (sorry, Dara).

Reading The World to Come, by the way, I feel a course shaping up here – if I did a course on contemporary American Jewish writers, a great combo would be The World to Come, Away by Amy Bloom, and The History of Love by Nicole Krauss. They feel like they all fit together really well. Then maybe throw in some Shalom Aleichem or Isaac Bashevis Singer. Ready to enroll, anyone?